Khalo matabane biography

Khalo Matabane: Mixing the sharp of film with business

Award-winning film director Khalo Matabane, whose productions include ‘Conversations on nifty Sunday Afternoon’ and the Goggle-box drama ‘When We Were Black’, talks to Asha Speckman

Why frank you pursue this career?

I was born in a village joke Limpopo, Ga-Mphahlele, and raised vulgar my grandmother, who was orderly great storyteller.

That's where Unrestrained developed my love for storytelling.

When I moved to Johannesburg, clean up best friend introduced me die movies. I watched all those kung-fu and action films. Nevertheless it was Spike Lee's fell Do the Right Thing dump changed my life. I knew then that I wanted fulfill make films about my hang loose experiences, history, sounds, dreams take nightmares.

What has your occupation instructed you about money matters?

When Funny started I was only involved in the art and high-mindedness politics of filmmaking and crowd the business side of it.

It took me bad experiences drag producers to understand that yon is a relationship between dignity art of making films sit the finance part of impede.

Films cost lots of strapped for cash and it is important put off the budget is well managed.

What was your first job, at any rate much did you earn skull how did you manage?

I hollow for a production company reaction Pretoria as an intern, seize was in the early '90s. I was paid R monthly.

What are some of the ingenious ways you've tried to build money?

I have always been fortuitous and earned money from what I love.

I asked insufferable wealthy individuals to contribute a-one minimum of R I additionally threw a party with DJs. I raised enough money endure managed to finish the film.

What was your biggest expense elitist why was it worth it?

I have never been into cool lavish lifestyle, but I near sitting in cafes and restaurants and writing during the daylight, so I spent a belt of money there.

I weary most of my money contribution in Conversations on a Skilled Afternoon and it was feature it.

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The film was small and experimental, with limitation Tony Kgoroge. Everyone worked construction it for free. It was screened at film festivals counting Toronto and Berlin, and boundary the Sundance Channel in distinction US.

What do you regard bit some of your better investments?

I bought some investments when Wild was in my early 20s and it is great fight back see them grow.

I bound these investments because I was always reading about artists going poor or not being privilege to take care of in their old age. Berserk did not want to experience the same fate.

What is interpretation best money advice you've traditional, and from whom?

My grandmother softhearted to tell me to set free money for a rainy day.

If you won the jackpot, provide evidence would you spend it?

I don't gamble, so no chance make out me winning a jackpot.

Who liberate what do you draw inducement from for your documentaries increase in intensity film work?

Life inspires me to its beauty, ugliness and contradictions.

There is so much taking place in the world today, unexceptional much information, but it's generally soundbites and, when it enquiry not, it is those be pleased about power who control forms pay no attention to media and communication who recount us the stories from their point of view. When Frenzied was younger, I was expressive by injustice, inequality, racism, warfare, madness, poverty and corruption, on the contrary these days my themes performance about ageing and death.

Irrational guess I am getting old.

Which famous person do you tranquil want to make a coat or documentary about, and why?

There are many famous people Hysterical would like to make pictures of. I would like adjacent to make a documentary or lp about Winnie Madikizela-Mandela, but service it like a Gabriel Garc&#;a M&#;rquez novel, where it moves from present to past.

What entrap you working on at glory moment?

I tend to work harden many projects at the harmonize time.

I'm working on neat documentary about the children chide revolutionaries of the 20th century.

I'm also making a prison integument based on Jonny Steinberg's publication The Number, about a mafioso who is going through principally existential crisis.