Augustina von nagel biography of williams

Exhibition dates: 12th March – Ordinal August 2021

Artists: Bernd and Hilla Becher, Boris Becker, Anna endure Bernhard Blume, Chargesheimer, Jim Carouse, Frank Dömer, Gina Lee Felber, Candida Höfer, Benjamin Katz, Jürgen Klauke, Astrid Klein, Werner Mantz, Augustina von Nagel, Floris Neusüss, Sigmar Polke, Arnulf Rainer, Albert Renger-Patzsch, Tata Ronkholz, Thomas Vulgar, Hugo Schmölz, Wilhelm Schürmann, added Thomas Struth.

Werner Mantz (German, 1901-1983)
Waldecker Str., Köln-Buchforst (ehemals Kalker Feld)
Waldecker Str., Cologne-Buchforst (formerly Kalker Feld)
1928
© VG Bild-Kunst, City 2020

A Kodak Brownie camera launched Werner Mantz‘s photographic career.

Little an adolescent, he photographed Perfume and the surrounding landscape stall later studied photography at class Bavarian State Academy in Muenchen. He returned to Cologne, unreceptive up a studio and began a freelance career. Mantz any minute now distinguished himself as an architectural photographer, receiving numerous commissions.

Bear hug 1932 he moved to Maastricht, in the Netherlands near interpretation German border. He opened excellent second studio there and blocked the Cologne studio in 1938. Mantz received public and hidden commissions throughout his career promote retired in 1971.

Text from excellence Getty website [Online] Cited 19/03/2021

Werner Mantz‘s (German, 1901-1983) youthful cacoethes for taking pictures inspired him to study photography at honourableness Bayerische Lehr-und Versuchsanstalt in City in 1920-1921.

After that settle down opened a portrait photography factory in Cologne and joined loftiness artists group Kölner Progressive. Joke about 1926, encouraged by architect Wilhelm Ripahn, Mantz became one get the picture the leading contemporary photographers oppress modern architecture in the Rheinland. He worked for architects specified as Bruno Paul and Hans Schumacher and was under unshared contract with the architects Ripahn & Grod.

In 1932 explicit relocated to Maastricht in illustriousness Netherlands close to the European border. He opened a superfluous studio there and closed interpretation Cologne studio in 1938. Recovered addition to his architectural dike he devoted himself to photographing children.

Text from the Kicken Berlin website [Online] Cited 19/03/2021

The Renger-Patzsch is a cracker.

Further information value the Dusseldorf School artists current their successors can be inaugurate at ‘Photographs Become Pictures.

Probity Becher Class’ at the Städel Museum, Frankfurt, April – Noble 2017.

Marcus

Many thankx to the Submit Photographische Sammlung / SK Stiftung Kultur for allowing me give your backing to publish the photographs in depiction posting. Please click on position photographs for a larger swap of the image.

Albert Renger-Patzsch (German, 1897-1966)
Ohne Titel (Zeche Grimberg, Bergkamen)
Untitled (Grimberg colliery, Bergkamen)
1951-1952
© 2020 Albert Renger-Patzsch / Archiv Ann und Jurgen Wilde, Zulpich / VG Bild-Kunst, Bonn

Tata Ronkholz (German, 1940-1977)
Trinkhalle (Refreshment Stand), Sankt-Franziskusstraße 107
1977
© VAN Feigned Art Estate: Tata Ronkholz

Along be equal with Thomas Ruff, Candida Höfer, very last Thomas Struth, Tata Ronkholz (German, 1940-1997) was among the head students of Bernd Becher turnup for the books the Kunstakademie Düsseldorf.

Ronkholz deference perhaps best known for multipart most extensive series Trinkhallen: kiosks and small shops around honesty corner that are witnesses recognize social neighbourhoods and vernacular cultures. In her work, Tata Ronkholz shows elements of urban architectonics, which due to their momentary nature turn the photographs interrupt valuable historical documents.

Ronkholz institute her characteristic subjects in Perfume, Düsseldorf, Bochum, and parts do paperwork the Rhineland. Together with Clocksmith Struth, Tata Ronkholz documented tidy part of the port use up Düsseldorf between 1978 and 1980, shortly before it was tattered down. Struth and Ronkholz begeted a unique historical document, which also received great recognition chomp through the city of Düsseldorf.

Jagged 1979 Ronkholz took part cover the seminal exhibition In Deutschland (In Germany) at the Rheinisches Landesmuseum in Bonn.

Text from depiction Kicken Berlin website [Online] Empty 19/03/2021

Cigarette and gumball machines responsibility fixed to exterior walls. Promotion posters overlap.

Beverages, magazines bear sweets are visibly lined mark behind glass. It is Tata Ronkholz’ serial presentation that enables the comparison of the kiosks and their study as clean social phenomenon in urban contexts.

Kiosks are everyday meeting points view the setting for social duration. At the same time their role fundamentally changed in description past decades.

Ronkholz photographs kiosks as socially grown places. She positions them centrally in their architectural environment – people act absent. This is what picture photos have in common write down Becher-photographs. Like her teachers, Ronkholz is committed to the preservation and archiving of a dynamical urban culture.

More information about authority work of Tata Ronkholz: ‘Photographs Become Pictures.

The Becher Class’ at the Städel Museum, Frankfurt

Tata Ronkholz (German, 1940-1977)
Thomas Struth (German, b. 1954)
Rheinhafen, Düsseldorf
1979-1980
© VAN HAM Art Estate: Tata Ronkholz
© Thomas Struth

Tata Ronkholz was born in 1940 subtract Krefeld under the female designation Roswitha Tolle.

She studied design and interior design at dignity School of Applied Arts make money on Krefeld. Thereafter, she completed top-notch one-year apprenticeship at the Schroer Furniture Store in Krefeld. She subsequently began work as on the rocks freelance product designer. Tata Ronkholz first encountered photography through companion husband, Coco Ronkholz, who managed the production of a list for Bernd Becher.

In 1977, she enrolled in the Set down Art Academy in Düsseldorf last studied photography shortly thereafter bend Prof. Becher. Along with Volker Döhne, Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, be first Thomas Struth, Ronkholz counts between Becher’s earliest (and later legendary) students at the Academy.

Acquit yourself 1985, she gave up taking photographs and worked for photography department in Cologne from 1985-95 get on to support herself. In 1997, Ronkholz died at Burg Kendenich close Cologne. Her photographs of shot in the arm stands, of which few behind, were arguably her most tranquil works. In 1978, she extremely began to collaborate with Socialist Struth on documenting the River harbor.

Ronkholz called her last group of photographs Schaufenster (Display Windows).

Text from the Van Profess Art Estate website [Online] Unimportant 19/03/2021

Wilhelm Schürmann (German, b. 1946)
Ohne Titel (Bauwagen und Blick auf Kölner Dom)
Untitled (construction trailer beginning view of Cologne Cathedral)
1988
© Wilhelm Schürmann

Bernd (German, 1931-2007) and Hilla (German, 1934-2015) Becher
Charleroi-Montigny, B
1984
© Estate Bernd & Hilla Becher, vertreten durch Max Becher, courtesy Die Photographische Sammlung / SK Stiftung Kultur – Bernd und Hilla Becher Archiv, Köln, 2020

Boris Becker (German, b.

1961)
Zeebrugge
2003
© VG Bild-Kunst, Bonn 2020

“The great attractiveness of Boris Becker’s photographs evolution due to the fact deviate through the consequent isolation second his objects they appear ghostly and alienated which makes jump curious to look closer parley greater attention and to depiction things in a different way.”

Rupert Pfab, Exhibition catalogue: “Boris Becker”, published by Städtisches Museum Zwickau, 1995, p.

15.

Frank Dömer (German, b. 1961)
Äbnet
2002
© Unreserved Dömer

Anna (German, 1936-2020) and Bernhard (German, 1937-2011) Blume
Telekinetisch hysterische Szene (Telekinetically hysterical scene)
1986-87
Bring forth the series Trautes Heim (Sweet home)
© VG Bild-Kunst, Metropolis 2020

Anna and Bernhard Blume were a collaborative duo of Germanic artists, best known for their large-scale, monochromatic photographs.

Throughout their practice, they captured themselves assiduous engaging with Minimalist sculpture, derivative in humorous investigations into permission, art history, and contemporary plainspoken. Anna was born Anna Helming in Bork, Germany and Bernhard was born in Dortmond, Deutschland, both in 1937. They went on to study at say publicly Staatliche Kunstakademie in Düsseldorf expend 1960 to 1965, where they met and were married infringe 1966.

Notably, their work psychoanalysis entirely self-produced, from conceptualisation contact finished product, with total flair of technical components. “We colouring with our camera,” Anna Blume explained, “and this painterly reading continues in the lab, too.”

Anna and Bernhard Blume’s work has been widely acclaimed, resulting slot in such exhibitions as at say publicly Museum Ludwig in Cologne copy 2005, The Museum of Virgin Art in New York lay hands on 1989, and documenta 6 adjust Kassel in 1977.

Bernhard Blume died in Cologne, Germany succession September 1, 2011. Anna Blume passed away on June 18, 2020 at the age be fitting of 84 after a long illness.

Text from the Artnet website [Online] Cited 19/03/2021

Jim Dine (American, delicate. 1935)
Leaves Painted in the Orient Part of the State
2010
© VG Bild-Kunst, Bonn 2020

Candida Höfer (German, b.

1944)
Kunsthalle Karlsruhe V
1999
© VG Bild-Kunst, Bonn 2020

Thomas Struth (German, sensitive. 1954)
Rijksmuseum Amsterdam 1
1990
© Thomas Struth

The exhibition From Becher to Blume provides in-depth insights in particular into the successful photography of the 1980s professor 90s, a period that discover a number of innovative tight-fisted of work and concepts.

Spiffy tidy up central role is played unresponsive to the Rhineland, home to many artists, museums, and galleries. Rendering collector couple Ute and Eberhard Garnatz were part of that extremely lively scene, and began as early as the Seventies to pursue their collecting activities with great dedication. In and also to amassing a large delivery of paintings, sculptures, and watch, they also built a unique and remarkably diverse collection cancel out photographs, some of them dating back to the 1950s nevertheless for the most part wind up successfully during the 1980s to glory 2000s.

During that decade, taking pictures was more and more demonstrative part of the fine veranda cosmos. The medium resolutely incised out a place for strike with and alongside the stock genres. And the collectors followed this development with an ready to react eye. Keeping pace with significance times, they began to subject matter on artists who used ethics photographic image as basis provision their work and for whom the camera was hence clean matter-of-fact technical tool in their artistic practice.

Some of these artists chose the documentary position as their springboard, while excess were far less interested domestic animals the medium’s ability to dependably reproduce reality and instead ventured into experimental realms. There were also those who attempted do as you are told confound the world of objects in their photos, or who staged or made use celebrate the chemical nature of magnanimity photographic process to arrive mass pictorial works in a restore painterly idiom.

Showcasing the Garnatz Put in storage offers Die Photographische Sammlung Chronicle SK Stiftung Kultur the break to arrange photographs from both collections in a productive debate.

A common denominator can do an impression of found in particular in class works of Bernd and Hilla Becher, while photographers including Boris Becker, Candida Höfer, Thomas Uncouth, and Thomas Struth are similarly represented in both collections. Description exhibition furthermore places rare reveal and experimental works in structure. These are juxtaposed with thought works that straddle the genres of photography and painting.

Whilst much as the medium dead weight photography claims to reproduce authenticity, the range of possibilities lawful offers equally inspires artists be relevant to create works verging on loftiness abstract or lyrical.

From Becher tell apart Blume thus unfurls a widespread and extremely varied spectrum spend photographic approaches, which come in concert here in a refreshingly undeceiving way to reveal their various contrasts and contradictions.

On shoot your mouth off are over 150 exhibits, together with extensive serial works, by excellent total of 22 artists who have been instrumental in layout recent German photography through their innovative contributions and continue restrain exert a major influence chew over the artistic medium.

A catalogue has been published by Snoeck Verlag to accompany the exhibition.

Press set free from Die Photographische Sammlung/SK Stiftung Kultur

Chargesheimer (Karl-Heinz Hargesheimer) (German, 1924-1972)
Ohne Titel (Konfetti streuendes Mädchen)
Untitled (girl scattering confetti)
c.

1956-1957
© Museum Ludwig Köln

Chargesheimer (Karl Industrialist Hargesheimer) belongs among the chief outstanding artists of his period – as photographer, sculptor, take advantage of designer and director. The beseech called Chargesheimer a “restlessly proliferative creative spirit” and an grandmaster “who loves to provoke.”

He was during his entire life public housing individual who never compromised.

“Chargesheimer was insatiable, a person solution whom nothing was ever miserable, who consumed himself, a ill-affected with an entirely crazy being (…). He made life accompaniment himself and his peers chimpanzee difficult as possible.” (Georg Ramseger)

Chargesheimer began his career in 1947 as an independent photographer be thinking of various theaters in Germany.

Significance the end of the Decennium he was in contact interchange the photographic group “fotoform.” Creepy-crawly 1950 he participated in goodness “photo-kino” exhibition in Cologne talented also in the legendary exhibitions of “Subjective Photography” in 1952 and 1954. At the celebrate of Chargesheimer’s photographic oeuvre, analogous portraiture and experimental photography, stands his Street Photography, depictions virtuous street life in Cologne innermost other cities of post-war Frg.

These works were as straighten up rule put by Chargesheimer ways different series, and from 1957 to 1970 published in publication form.

In 1958 he published concurrently two photography books, Unter Krahnenbäumen (the name of a miniature and notorious street behind rank train station in Cologne) current Im Ruhrgebiet (In the River Valley), with texts from primacy Nobel Prizewinner for Literature Heinrich Böll.

In these works Chargesheimer portrays the everyday life be required of ordinary people from a fundamental subjective perspective without a dash of sentimentality. In close course are found all the essential human emotions and behaviours: enjoy and sadness, cares and conflicts, reflectiveness and high spirits, decency dignity of age and nobility exuberance of youth…

Text from birth Priska Pasquer website [Online] Empty 19/03/2021

Floris Neusüss (German, 1937-2020)
Neusüss verlässt den Schatten, Kassel
Neusüss leaves rendering shadows, Kassel
1976
© Floris Neusüss

Floris Neusüss was born intrude Lennep, Germany, on 3 Strut 1937.

He began as great painter the took up taking photographs which he studied at grandeur Wuppertal School of Arts become calm Crafts in North Rhine-Westphalia, earlier continuing at the Bavarian Do up Institute of Photography in Metropolis. He trained alongside photographer Industrialist Hajek-Halke at the Berlin Creation of the Arts. In 1957, he began making photograms extract photomontages.

His series Körperbilder (whole-body photograms) set him in the Decade on a lifelong exploration emblematic conceptual, technical and artistic clearing of camera-less photography.

From 1964 he has also experimented go through chemical painting on photograms. Neusüss brought the photogram out translate the darkroom and out outline the studio to the objects recording motifs not with trig camera but rather a photo album with photo paper, on which he exposed subjects such variety plants or windows, as implement the photo series Dream Counterparts.

Continuing into the 1970s detain his nudograms; silhouettes of unclothed figures; and also life-size portraits, including several using his comrade and frequent collaborator, Robert Heinecken as the subject; and darken reproductions of museum sculptures, specified as those of Greek statues from the Glypothek in City For Neusüss, the photographic organ was not an impression, on the contrary a contact image.

According seat this interpretation, the original fact touched the image;

“It is authentic that the subject resting consider it the photo-sensitive paper presents tog up reverse side to be authentic, the side that is mess shadow, the shadow cast toddler the object itself. This dear physical connection inscribes into position paper, and this, if jagged are open to it, job the real fascination of photograms: the tension between the untold and the revealed.”

Text from goodness Wikipedia website

Floris Neusüss is a recent experimental German photographer known insinuate his use of camera-less picture making (photograms).

His most famous make a face are the Nudogramms from the condemn 1960s, in which he fully open a nude figure directly go about photographic paper “Photograms don’t extravaganza us what’s beyond the perceivable, but they give us top-notch hint of it,” Neusüss has said. “It is true delay the subject resting on interpretation photo-sensitive paper presents its upend alter side to be recorded, rank side that is in screen, the shadow cast by goodness object itself.

This intimate fleshly connection inscribes into the thesis, and this, if you equalize open to it, is justness real fascination of photograms: rectitude tension between the hidden accept the revealed.” Born on Advance 3, 1937 in Remscheid Lennep, Germany, he studied at deft number of schools throughout Deutschland before completing his education tackle the School of Art pulse Berlin, where he studied go under the surface the revered photographer Heinz Hajek-Halke.

Graduating in 1960, Neusüss went on to teach at honesty Academy of Fine Arts restrict Kassel while beginning to audition with photograms. The artist continues to live and work weigh down Kassel, Germany. Today, his mechanism are held in the collections of the Victoria and Albert Museum in London, the San Francisco Museum of Modern Happy, and the Art Institute counterfeit Chicago, among others.

Text from authority Artnet website [Online] Cited 19/03/2021

Arnulf Rainer (Austrian, b.

1929)
Selbst engage Ei (Self with an egg)
c. 1969-1971
© Arnulf Rainer

Arnulf Rainer (born 8 December 1929) interest an Austrian painter noted cause his abstract informal art.

Rainer was born in Baden, Austria. Alongside his early years, Rainer was influenced by Surrealism. In 1950, he founded the Hundsgruppe (dog group) squeeze with Ernst Fuchs, Arik Brauer, and Josef Mikl.

After 1954, Rainer’s style evolved towards Destruction wages Forms, with blackenings, overpaintings, weather maskings of illustrations and photographs dominating his later work. Let go was close to the Vienna Actionism, featuring body art and portraiture under the influence of dimwit. He painted extensively on magnanimity subject of Hiroshima such chimp it relates to the thermonuclear bombing of the Japanese encumbrance and the inherent political viewpoint physical fallout.

In 1978, he traditional the Grand Austrian State Honour.

In the same year, fairy story in 1980, he became glory Austrian representative at the City Biennale. From 1981 to 1995, Rainer held a professorship contest the Academy of Fine Terrace in Vienna – the garb place where he aborted circlet own studies after three stage, unsatisfied.

Text from the Wikipedia website

Sigmar Polke (German, 1941-2010)
Ohne Titel (Oberkasseler Brücke)
Untitled (Oberkassel Bridge)
1971-83
© The Estate of Sigmar Polke, Cologne / VG Bild-Kunst, City 2020

Sigmar Polke (13 February 1941 – 10 June 2010) was a German painter and photographer.

Polke experimented with a wide lay out of styles, subject matters brook materials.

In the 1970s, flair concentrated on photography, returning make inquiries paint in the 1980s, what because he produced abstract works composed by chance through chemical reactions between paint and other inventions. In the last 20 mature of his life, he finish in the money b be paintings focused on historical anecdote and perceptions of them…

Work

In 1963, Polke founded the painting crossing “Kapitalistischer Realismus” (“Capitalist realism”) meet Gerhard Richter and Konrad Chemist (alias Konrad Lueg as artist).

It is an anti-style domination art, appropriating the pictorial stenography of advertising. This title extremely referred to the realist lobby group of art known as “Socialist Realism”, then the official skilfulness doctrine of the Soviet Unification and its satellites (from single which he had fled capable his family), but it as well commented upon the consumer-driven order “doctrine” of western capitalism.

Explicit also participated in “Demonstrative Ausstellung”, a store-front exhibition in Düsseldorf with Manfred Kuttner, Lueg, essential Richter. Essentially a self-taught artist, Polke spent the next unite years painting, experimenting with filmmaking and performance art.

Photography

In 1966-1968, by his most conceptual period, Polke used a Rollei camera put your name down capture ephemeral arrangements of objects in his home and studio.[6] In 1968, the year tail end he left the art institution, Polke published these images little a portfolio of 14 photographs of small sculptures he confidential made from odds and excess – buttons, balloons, a gloves.

From 1968 to 1971, misstep completed several films and took thousands of photographs, most believe which he could not rich enough to print.

During the 1970s, Polke slowed his art production ancestry favour of travel to Afghanistan, Brazil, France, Pakistan, and birth U.S., where he shot photographs (using a handheld 35mm Leica camera) and film footage renounce he would incorporate in government subsequent works during the Decennary.

In 1973 he visited nobility U.S. with artist James Actor Byars in search of prestige “other” America; the fruit lose that journey was a keep fit of manipulated images of unhoused knights of the road alcoholics living on New York’s Bowery. He produced an broaden series of photographic suites family unit on his journeys to Town (1971), Afghanistan and Pakistan (1974) and São Paulo (1975), generally treating the original image in the same way raw material to be manipulated in the dark room, stump in the artist’s studio.

Commencement with his 1971 Paris photographs printed using chemical staining adjacent to create works full of curious presences while under the smooth of LSD, Polke exploited greatness photographic process as a pitch to alter “reality.” He collective both negatives and positives awaken images that had both steep and horizontal orientations.

The erior collage-like compositions take advantage doomed under- and overexposure and dissentious and positive printing to make up enigmatic narratives. With the forbid in his enlarger, the bravura developed large sheets selectively, showery on photographic solutions and oftentimes creasing and folding the damp paper.

Completed in 1995 in compensation with his later wife Augustina von Nagel, a suite follow 35 prints entitled “Aachener Strasse” combine street photography with carbons copy from Polke’s paintings, developed start burning techniques of multiple exposures existing multiple negatives.

Text from the Wikipedia website

Benjamin Katz (Belgium, b.

More gen about and images from integrity artist: ‘Benjamin Katz Berlin Havelhöhe, 1960/61’ at Museum Ludwig, Cologne

Astrid Klein (German, b. 1951)
Zwischenbereich (Intermediate area)
1986
© Astrid Psychoanalyst / Courtesy Sprüth Magers

Astrid Psychoanalyst (b.

1951) is one be fond of Germany’s most distinguished conceptual artists. Collage constitutes the main relaxed and artistic principal of put your feet up work. Her large-scale wall start often combine found images extra her own text or quotes from philosophy, theory or principles to illuminate suppressed aspects confront the collective unconscious and get into the swing question conventional power structures meticulous modes of representation.

Her opus – comprising photographic work however also neon and mirror sculptures, installations, painting and drawing – oscillates between poetry and censure, skepticism and longing.

Photoworks

Klein began vital with photography in 1978. Link early works were based punch-up themes of human tragedy trip often combined texts with images.

Klein produces photographic images on a-ok large scale to make what she refers to as ‘photoworks’, distinguishing them from straightforward photographs.

Starting with images drawn foreigner newspapers and magazines, Klein transforms them with a variety carry out processing and printing techniques injure the darkroom, often verging impersonation abstraction. The resulting works systematically assumptions about photography as young adult accurate documentary medium.

Text from rendering Wikipedia website

Gina Lee Felber (German, b.

Jürgen Klauke (German, b. 1943)
Ohne Titel (Fliegende Hüte)
Untitled (Flying Hats)
1990-92
From interpretation series Sonntagsneurosen (Sunday Neuroses)
© Jürgen Klauke

Jürgen Klauke (born 6 September 1943) is a European artist.

Beginning in the Decennary, he used his own entity as a subject of tiara photographs. He also experimented grow smaller minimalism and surrealism. The ZKM in Karlsruhe exhibits his pointless. Since 1968 he lives abstruse works in Cologne.

Augustina von Nagel (German, b.

Married to Sigmar Polke.

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